cd in jewel case
Thanos Chrysakis, Sue Lynch, James O' Sullivan, Joe Wright
Duration 49.21 | Released October 2018
Thanos Chrysakis | laptop computer | synthesizers |
Sue Lynch | tenor saxophone | flute | clarinet |
James O’Sullivan | electric guitar |
Joe Wright | tenor saxophone + dynamic feedback system |
Recorded at OneCat Studio in London
on the 29th of November 2017 by Jon Clayton.
Between June — July 2018
at Meridian Studio.
About the Artists
Thanos Chrysakis’ output consists of composition, performance, and installation. He was born in Athens in 1971. After residing in the UK between 1998–2014 he moved in 2015 to Belarus.
With several albums to his name his work has appeared in festivals and events in several countries, including CYNETart Festival, Festspielhaus Hellerau – Dresden, M:AI (Museum für Architektur und Ingenieurkunst NRW) – Berlin, Diapason Gallery – New York, ohrenhoch - der Geräuschladen Gallery – Berlin Neukölln, XXII “Sound Ways” International New Music Festival – St Petersburg, Artus Contemporary Arts Studio – Budapest, CRUCE Gallery – Madrid, Fylkingen – Stockholm, Relative (Cross) Hearings festival – Budapest, ZEPPELIN festival – Barcelona, Festival Futura 2013 – Crest-Drôme, XIII Festival Internacional de Música Nueva – Monterrey, Oosterkerk – Amsterdam, Störung festival – Barcelona, Center for New Music – San Francisco, Västerås Konstmuseum –Västerås, BMIC Cutting Edge concert series - The Warehouse – London .
His music has been also frequently aired by RAI Radio 3, BBC Radio 3, Radio Portugal Antenna 2, Radio Nacional de España, FM Brussel, Polskie Radio (Warsaw), Elektramusic (Strasbourg), Undae! Radio and Onda Sonora - Radio Circulo de Bellas Artes (CBA) (Madrid). He composes for electronic and acoustic instruments as well environmental sounds, focusing on the structural, aesthetic and transfigured capacity of sonic matter.
His work was amongst the selected works at the International Competition de Musique et d'Art Sonore Electroacoustiques de Bourges 2005, in the category œuvre d'art sonore électroacoustique, while received an honorary mention in 2006 at the 7th International Electroacoustic Competition Musica Viva in Lisbon.
Sue Lynch (Tenor saxophone/clarinet/flute/composition)
She currently runs ‘The Horse Improvised Music Club’ with Adam Bohman, Hutch Demouilplied and Adrian Northover. Performs with Adam Bohman, Eddie Prevost, Richard Sanderson, John Edwards, Steve Noble, Crystabel Riley, Caroline Kraabel and Sharon Gal.
In 2015 she performed with Maria Vatentina’s opera ‘Mannequin’ and in 2016 as part of Tarek Atoui’s ‘Reverse Collection’ at The Tate Modern. She performs with Psychedelic Afro Beat Sudanese band ‘The Scorpios’, performing at the 2018 Womad Festival. Sue Lynch is currently one of the featured musicians for The British Music Collection interviews with 'Unpredictable Series' presented by Steve Beresford and Blanca Regina.
In 2016 she formed, ‘Paradise Yard’, an electro accoustic ensemble, performing at Iklectik, Cafe Oto and The ICA. In 2018, she performed at 3 Klange Tag Festival (celebrating literature and improvisation),in a duo with Hildegard Kleeb.
Using a combination of feedback, conventional guitar techniques and instrumental preparations, London-based musician
James O' Sullivan exploits the full sonic potential of electric guitar and amplifier, relating them meaningfully to the immediate physical environment.
His interest in improvisation, recording and performance has led him to record and perform across the UK and internationally, both solo and with numerous improvised music groups. More longstanding arrangements include Found Drowned, a trio with Pete Marsh and Paul May, and his collaboration with Thanos Chrysakis on several releases on the Aural Terrains imprint.
His debut solo album, 'feed back couple', was released in 2011. His second solo album, IL Y A, is out now on the Linear Obsessional imprint.
Joe Wright is a London-based musician, sound designer and researcher with an interest in experimental music, curiosity-driven musical interaction and neurodiversity. He has performed across the UK and Europe as a soloist and collaborator in various projects, these include: duck-rabbit, an electroacoustic trio with Tom Taylor and James Opstad; Onin, a volatile electronics duo with James L Malone; and solo work exploring disruptive feedback systems with the saxophone. In all cases, active or unstable sonic material is sought that disrupts comfortable or familiar interactions between performer and instrument. Joe also works in inclusive theatre/arts as a composer, sound designer and performer with aboutNOWish and Ellie Griffiths, helping to create immersive work for neurodiverse audiences.
His PhD research incorporates his practical experience in these fields by exploring the design of digital musical instruments for exploratory sonic play with/for young people on the autistic spectrum. The research, now nearing its completion, has produced a digital musical instrument, research tools, and design strategies that aim to broaden the range of musical/sonic experiences available to young people with complex needs.