Instant-Cascade-Distant
Thanos Chrysakis, James O' Sullivan, Dario Bernal-Villegas, Oli Mayne, Jerry Wigens
Duration 53.03 | Released May 2009
The continuous presence of the guitar creates the main axis for these improvisations that happened between 2007-2008. Different sound sources, from electronic sounds to the clarinet, and prepared piano interchange roles, swarm around and together with the guitar creating sonic and harmonic fields that oscillate between the spectral and the gestural.
THANOS CHRYSAKIS
Vibraphone, Laptop, Inside Piano, Prepared Piano
JAMES O`SULLIVAN
Guitar
DARIO BERNAL-VILLEGAS
Drums, Inside Piano, Marimba
OLI MAYNE
Synthesizer
JERRY WIGENS
Clarinet
About the Artists
"He burrows into the inner life of sound and extracts elemental qualities that capture and convey its intrinsic dynamism."
Julian Cowley / The Wire
Thanos Chrysakis is a Greek composer, musician, producer and sound-artist. He is best known for his work in electronic and contemporary music, improvisation, and electro-acoustic music.
With several albums to his name his work has appeared in festivals and events in numerous countries, including CYNETart Festival, Festspielhaus Hellerau - Dresden, Artus Contemporary Arts Studio – Budapest, CRUCE Gallery – Madrid, Fylkingen – Stockholm, Relative (Cross) Hearings festival – Budapest, Festival Futura – Crest - Drôme, FACT Centre – Liverpool, Association Ryoanji – Ahun - Creuse, The Center for Advanced Musical Studies at Chosen Vale — Hanover - New Hampshire, Areté Gallery — Brooklyn - New York, UC San Diego – California - San Diego, Berner Münster – Bern, Fabbrica del Vapore – Milan, Grünewaldsalen – Svensk Musikvår — Stockholm, Splendor – Amsterdam, Logos Foundation – Ghent, Palacio de Bellas Artes – Mexico City, Műcsarnok Kunsthalle – Budapest, Spektrum – Berlin, Susikirtimai X – Vilnius, Festival del Bosque GERMINAL – Mexico City, ДОМ – Moscow, Oosterkerk – Amsterdam, KLANG ! – Montpellier, Nádor Terem – Budapest, Utzon Centre – Aalborg, New Stage of Alexandrinsky Theatre – St. Petersburg, Center for New Music – San Francisco, Västerås Konstmuseum – Västerås, Störung festival – Barcelona, BMIC Cutting Edge concert series at The Warehouse – London.
His music was among the selected works at the International Competition de Musique et d'Art Sonore Electroacoustiques de Bourges 2005, in the category oeuvre d'art sonore électroacoustique, while received an honorary mention in 2006 at the 7th International Electroacoustic Competition Musica Viva in Lisbon (the jury was constituted by Morton Subotnick (USA), François Bayle (France), and Miguel Azguime (Portugal).
He operates the Aural Terrains record label since 2007 where he has released part of his work until now, alongside releases by Kim Cascone, Franscisco López, Tomas Phillips, Dan Warburton, Szilárd Mezei, Michael Edwards, Wade Matthews, Dganit Elyakim, Edith Alonso, Luis Tabuenca, Jeff Gburek, Philippe Petit, Steve Noble, Milo Fine, Liam Hockley and David Ryan among others.
He has written music for musicians of the Hyperion Ensemble, the Stockholm Saxophone Quartet, the Hermes Ensemble, the Nemø Ensemble, the Konus Saxophone Quartett, and the Shadanga Duo among others. Close collaborations with Tim Hodgkinson, Vincent Royer, Chris Cundy, Yoni Silver, Lori Freedman, Jason Alder, Julie Kjaer, Henriette Jensen, William Lang, Wilfrido Terrazas, Philippe Brunet, Wade Matthews, Ernesto Rodrigues, Ove Volquartz to name but a few.

James O'Sullivan is a London-based experimental guitar player and improvisor who employs a playful but meticulous approach to the instrument through the bringing-together of physicality, resonance, detail and dynamics. He seeks to co-create a rich, layered and engaging music that entwines the excitement of the moment with a creative, focused exploration, shaping an enduring document of the guitar's potential.
His interest in improvisation, recording and performance has led him to record and perform across the UK and internationally, both solo and with numerous improvised music groups. More long-standing groups include Muster, with Dan Powell (electronics), a duo with Paul May (percussionist), the improvising trio Found Drowned, and, most recently, LUFT, a trio with Chris Hill and Alan Newcombe. His playing also features on several releases on the Aural Terrains imprint. He has released three solo albums, feed back couple, (2011), IL Y A, (2017) and Lovely Error (2022). Recent releases include Repetition Disguises, an electric guitar duo with Nathan Moore, CHORD, with Ross Lambert, Nathan Moore and Eddie Prévost, and the eponymous LUFT (Hill/ Newcombe/O'Sullivan), released in March 2024.

Darío Bernal-Villegas is a composer, improviser and drummer from Mexico City. Improvisation has been an essential part in his work as composer and performer. Many of his pieces deal with improvisation, as his aim is to create an intense, creative interaction between the performer and the score; in other words, creating the conditions for a more intense dialogue between the performer and the composer.As an improviser he has worked with musicians like Raúl Tudón, (Tambuco Percussion Group, México), Wade Matthews (USA, Spain) Thanos Chrysakis (Greece), Sebastian Lexer (Germany) Oli Mayne (UK), David Plans Casal (Spain) among others. Nowadays, he is working with the Mexican improvising collective Generación Espontánea and with the composer Tom Corona in his group “The Coming Burguers”.

Oli Mayne is an English experimental vibraphone and analogue synthesizer player, with an emphasis on intense, physical performances. Currently based in Budapest, he first encountered improvisation in a duo with a Brazilian pianist whilst living in Nottingham, England, but got more seriously involved in the experimental side of things after moving to London, attending the weekly improvisation workshops run by Eddie Prevost of legendary improvisation group AMM. He has appeared at various London improvisation events and venues, including the Evan Parker/ Eddie Prevost/ Martin Davidson run 'Freedom of the city' festival (twice), and nights put on by Adam Bohman/ Bohman Brothers and the Society for Promotion of New Music; he has also performed in Nottingham, Brighton and Birmingham. Since arriving in Budapest, he has performed in a trio featuring Zsolt Sőrés and Zsolt Varga; forthcoming plans include a dance collaboration, and further performances with a new quartet featuring Sőrés, Adam Bohman (England), and Jean-Michel Van Schouwburg (Belgium). He also plays keyboards and percussion; other musical activities include the British space rock band Litmus, the newly formed Budapest-based trance group Rasasound, and classically-orientated percussion quartet Brake Drum Assembly.

Jerry Wigens is an improviser and composer who plays guitar and clarinet. Most of his musical activity has taken place in London although he has also performed in Zurich, Geneva, Berlin and Athens. His interest in improvisation started at an early age and he attended John Stevens' workshops at the age of nineteen. Since then he has worked in various musical contexts including rock, jazz and contemporary classical and has performed with Eddie Prevost, George Lewis, Sylvia Hallett and Walter Cardew, among many others. He has also had work performed by guitarist Alan Thomas and contemporary ensemble Vamos. He has studied with Roger Redgate and participates in Eddie Prévost's workshop sessions which he has occasionally convened in Prévost's absence. He also plays guitar in prog/improv band Astrakan.
